Cathédrale Notre-Dame de Chartres

D31_2822_DxOWe’ve come to Paris for a quick getaway, and Stuttgart is less than 4 hours by direct fast train. As we think about what we want to do and see, we realize neither of us have ever visited Chartres.

Uwe and I go out of our way to see sacred places around the globe. (See my posts The Cult of Bà Chúa Xứ or The Music of the Heavenly Spheres for some photos and tales from other sacred spots.) Energies gather in some unlikely places. Sometimes I stand in famous spots and am disappointed, while a place less known for religion makes me feel the presence of the divine.

Chartres. I’ve been trying for days – weeks, actually – to summarize the “facts” about this site. It was built 1140-1260 and the labyrinth was laid in the first decade of the 13th century. I wonder what to mention about Chartres’ 1,000 years as a pilgrimage destination, or the female energies of the cathedral and their tenderness. Mary’s tunic, the Sancta Camisia worn at the birth of Jesus Christ, was brought here by Charlemagne. The king in turn had been given the relic as a gift during a trip to Jerusalem.

When the earlier church building burned on June 10, 1194, the Sancta Camisia miraculously survived. Chartres remains an important Marian pilgrimage center, and the faithful still come from around the world over to honor it.D31_2829_DxO

Chartres is one of the most impressive Gothic cathedrals on Earth. Back in my college days at the University of Oregon, Professor James Boren in his Chaucer and Medieval Literature classes explained Chartres as literally turning the architectural form inside out. For the first time the ribs holding up the entire structure had been placed outside, allowing the inside heart of the structure to soar up into the Heavens, seemingly without limits. The support of flying buttresses was necessary because of the unprecedented size and heights of the stained glass windows and the nave. Professor Boren’s face glowed; this stern and learned man radiated as he lectured about a place that he said changed him when he saw it. That lecture and the look on his face stayed with me. Chartres: someday I would see it.D31_2883_DxO

***

Chartres Cathedral contains one of the few remaining medieval labyrinths. It’s large with a circumference of 131 feet, almost exactly the same size as the West Rose window.

Rose Window

Rose Window

In the Middle Ages, French church labyrinths were the sites of Easter dances involving clergy and the tossing of a leather ball. Sadly, the labyrinths were destroyed, covered over, or hidden by Church authorities suspicious of their powers and pagan beginnings. (Labyrinths, including Chartres’, traditionally had an disk or placque of Theseus and Ariadne and the Minotaur at their centers. In fact, another name for a cathedral that contained a labyrinth was the “Domus Daedali” [House of Daedalus], a nod to antiquity’s Daedalus, designer of the labyrinth that held the Minotaur in Knossos.) *

But, Chartres’ labyrinth survived. I learn that while it’s covered by chairs most of the time, the labyrinth is made free for visitors to enter on Fridays. My one request to Uwe for our trip becomes, “Please let’s go to Chartres on Friday!”

So here we are, entering one of the holy pilgrimage destinations in Christianity.

Chartres. Once inside, the cathedral’s beauty immediately takes my breath away. I am so deeply moved that in the next moment I’m close to tears. Whatever I expected, this sacred soaring space is beyond all imagination. Light streams in through the windows and illuminates the visitors, pilgrims, and the simply curious. All of us are suffused in colors.

For a while I just walk around. Uwe’s already moved off with his camera, ready as always to use his art with photography to capture in images what my brain grapples with in words.

As the minutes pass I grow more and more stunned. And I remain dangerously, or is that gorgeously, close to breaking into tears. There is an energy to this place, a sense of the holy and the really, really blessed, that I have seldom felt anywhere.D31_2796_DxO

The Schwedagon Pagoda in Burma comes to mind. It is the most important pagoda in the country, and I felt the top of my head buzz like it was going to blow off from the concentration of religious energies. Or a back pond in the Adirondacks with only my family as fellow witnesses: loons with a pair of chicks calling in low cries to one another as they eyed us but didn’t swim away. Or a tiny Greek Orthodox church in Thessaloniki, supposedly built on the site where Apostle Paul preached. I attended on Sunday with my friend Cynthia and our Greek host Fotis, who led us up to an altar surrounded by burning, hand-dipped wax tapers. Fotis insisted we take bread from the common basket. Tears streamed on both our faces; I finally felt the deeper meaning of breaking bread in fellowship.

All of these places’ sacred energies are present in Chartres. It is so much more than I deserve or had awaited. I take a deep breath to center myself, and move forward to stand poised at the entry to the labyrinth.

***

“A labyrinth is an ancient symbol that relates to wholeness. It combines the imagery of the circle and the spiral into a meandering but purposeful path. …D31_2798_DxO

“A labyrinth is an archetype with which we can have a direct experience. … It is a metaphor for life’s journey. It is a symbol that creates a sacred space and place and takes us out of our ego to “That Which Is Within.” At its most basic level the labyrinth is a metaphor for the journey to the center of your deepest self and back out into the world with a broadened understanding of who you are. …D31_2790_DxO

“A labyrinth is not a maze. A maze is like a puzzle to be solved. It has twists, turns, and blind alleys. It is a left brain task that requires logical, sequential, analytical activity to find the correct path into the maze and out. A labyrinth has only one path. It is unicursal. The way in is the way out. There are no blind alleys. The path leads you on a circuitous path to the center and out again.D31_2788_DxO

“A labyrinth is a right brain task. It involves intuition, creativity, and imagery. With a maze many choices must be made and an active mind is needed to solve the problem of finding the center. With a labyrinth there is only one choice to be made. The choice is to enter or not. A more passive, receptive mindset is needed. The choice is whether or not to walk a spiritual path.” – Dan Johnston, Ph.D. at www.lessons4living.com

Exterior Chartres Cathedral

Exterior Chartres Cathedral

While I walk the labyrinth and contemplate the mystery of the sacred**, Uwe photographs me. When I see his photos later I’m surprised, and glad.

***

NOTES: * Another name for the eleven-circuit labyrinth is the “Chemin de Jerusalem” or Road of Jerusalem. Walking the labyrinth in Chartres or other places could be made instead of making the pilgrimage to Jerusalem.

** I haven’t even tried to talk about the lunations of the labyrinth. Their meaning is still debated. A celestial calendar? Esoteric design of the deeper mysteries?

Walking a Sacred Path. Rediscovering the Labyrinth as a Spiritual Tool. Dr. Lauren Artress, Riverhead Books, 1995.

http://www.sacred-destinations.com/france/chartres-cathedral

http://www.labyrinthos.net

http://www.lessons4living.com/chartres_labyrinth.htm

(All photographs can be enlarged by simply clicking on the image.)

More pictures from France and of Uwe’s photography may be viewed at viewpics.de.

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Write A Revolution

Interview with self-published author Jadi Campbell

Posted by Steve on December 2nd, 2013

This week we are delighted to welcome over talented self-published author Jadi Campbell, the creator of Broken In, the latest collection of stories that we have found extremely hard to put down. Jadi is a well-travelled writer currently residing in Germany who has taken her varied cultural experiences and moulded into her latest offering. We know you’ll love Broken In and our interview with Jadi.

Hi Jadi, congratulations on Broken In, it was a fantastically crafted collection of stories and we thoroughly enjoyed reading through the book.

It is enormously satisfying to be told that you noticed how I crafted the book.

The stories show how you can skilfully develop characters. No lead role is wasted and each has varying dimensions to their persona. What is the secret behind writing such strong characters?

Take the time to get to know them. In Punctured, for example, I knew that Jeremy’s wife Abigail was younger than he and quite shy. But something was missing and the tone (because this story is pretty tragic) felt terribly somber. I set it aside for a while and when I returned to it I had the key: Abby has a wicked sense of humor that only her husband is allowed to see. It gives a needed lightness to their story, and suddenly she became 3-dimensional. If your characters don’t feel real, allow them the time to develop.

Is there any part of the story or side to the characters that is autobiographical or taken from people you know or knew? I like to think that a feisty real life Lisa exists somewhere out there!

Thanks! I want to create realistic characters. One of my strengths (from what my readers tell me) is that as you read, you recognize yourself or people you know. No character is based solely on someone I know in real life… and all my characters are amalgams of who I know and what I witness every day in the real world.

Lisa’s experiences to Bangkok are my own and definitely autobiographical. But I had to express them through the lens of a 20 year old rather than my own adult age. It was fascinating to try and figure out what such an inexperienced young person would make of Bangkok’s chaos and decadence.

You split Broken In into separate, interconnecting stories rather than chapters in a straight-running novel. Why did you decide to approach the book in this manner?

When the Muse started tapping on my shoulder I wasn’t sure if it was she planned to stick around. I took the opportunity to experiment with short stories, a new genre for me. It was great fun and then the idea to base a novel on interconnected tales came from the story Surprises. I realized that I could tell the story of everyone of the characters in it, and the book was born.

Can you explain why you chose to call the book Broken In?

The term is active and passive: you break in new shoes to make them comfortable, and learn the ropes at a new job that way, too. But it’s also what happens to us. It’s the break ins, losses, challenges, and things that intrude on our lives or break our wills. I like the way ‘broken in’ is both ominous and promising.

Do you write elsewhere, like on a personal blog or website where you flesh out ideas and/or connect with readers?

I blog at jadicampbell.wordpress.com and belong to 2 writers’ groups. We share works-in-progress and give each other thoughtful, honest criticism and feedback.

As the passage below shows, the dialogue and prose is often raw, direct and uncompromising. Did you write the stories to fit a particular genre or did you just write naturally and leave in, basically, whatever hit the page? Does this extract generally encapsulate your writing style?

“It was Steve, naturally, back with the same old bullshit. How he didn’t want to live life without me, and how he hadn’t slept in weeks. That part was probably true. He looked awful. At first I felt bad for him. But I was pissed. Who the hell did he think he was, sneaking around my yard waiting for me to come home, looking to see if Freddie was downstairs or not? Was he turning into a stalker? The little bubble of emotions I had left for him dried up right then and there. I owed him nothing, as far as I was concerned, nothing. Stalking behavior cancelled out the slate and left it dry. 

“Here Judy’s words took on the cadence of a carefully rehearsed speech.”

This is a great question. I wish I could leave whatever hits the page, but find constant revisions are the way to hone down to the true heart of a story. This particular passage is someone speaking, and dialog has to sound natural. I’ll write conversations and then read them aloud, looking for the rhythms of speech. I hope that the naturalness of this passage does reflect my characters when they are talking. As far as my writing being raw, direct and uncompromising (and thank you for that!), I shape scenes until I find their essence. I love writing descriptive passages, and seek the beauty in a moment or emotion perfectly described.

jadiIn JJ’s, the bartender and a teenaged patron plan exotic trips. JJ’s chef meets several men who’d kill for her. Valuables and peace of mind literally get stolen. Couples celebrate, or split up. In a rainy night accidents happen and people vanish. These are the stories of people whose paths cross – or crash. The tales begin in a bistro and move on to Bangkok, a carnival midway, and the bottom of a lake, among other places. Broken In: whether totally random or according to plan, after tonight life will never be the same.

What are you reading at the moment and what could you recommend to us?

I just finished David Eggers’ book Zeitoun about Hurricane Katrina. For fiction, anything by Geraldine Brooks is a feast. I recently reread all of Ray Bradbury.

What are you currently working on or what can we expect next?

I’m about 3/4s finished writing my next book. I’m at the hardest stage of the writing, and that’s figuring out both what to cut and how to join any still disparate parts together. It’s tentatively titled ThanksGiving. I have a third book in the works as well: a short story collection.

What are the major challenges that you have faced in your writing career?

Marketing. I did the writing first and the self-promotion afterwards. Aspiring writers (and all artists) need a marketing plan, or a manager. Preferably a manager…

What do you advise new writers to do? Best practice, writing tips, etc.

Join a writers’ group! The feedback of your peers is invaluable. And you’ll realize that you aren’t alone with your fears and hopes. Most writers create in isolation, so discovering others who think and feel like you do is a lifesaver in a sea of self-doubt. An added bonus is if you can find a group that likes to write together, the combined creative energies will inspire all of you! I meet every Friday with a group at a café and something wonderful happens when we’re all typing away on our laptops…

What is your background away from the writing desk and how did you get into penning novels?

I earned a B.A. in English Literature but wanted experience working in the real world for a while. I spent time in a San Francisco corporation in Marketing and Underwriting, and then became a massage therapist. I wrote as European Correspondent (great title, little dough) for a massage magazine for a decade. Took some years off from writing after that. Then the Muse returned stronger than before, and I’ve been following where she leads ever since. I still love massage work, so I’ve kept my hand (sorry, couldn’t resist) in a very people-oriented profession. It’s the perfect foil to the isolation writing demands.

Getting a self-published book noticed and into the hands of readers can be tough. Could you offer our readers any tips/hints or advice on promotion or marketing?

Send out emails to everyone you know. Start a blog and find your voice. Join a writers’ group that does public readings. Work to get your book reviewed: those reviews in turn allow you to contact fine websites like this one. AND – take the long view. It requires a year or longer to write a book; don’t expect to experience overnight success. It’s all baby steps and frustratingly slow… but each success builds on the prior ones.

What is your opinion on the power and potential of social media? Do you use the likes of Facebook, Goodreads, Google+ etc to connect with fans and promote your work?

I link my blog posts to Facebook. As for the power of social media, I find it’s a fine line to walk between developing a public presence online and giving away details about my private life. But yes, with the right amount of care the power of the Internet and social media can – and in many cases, do – help me promote my work effectively.

Who did you get to do your cover design, eBook formatting/conversion to Kindle and the like? And editing…was this all outsourced or did you do some yourself?

For the cover artwork I turned to Walter Share, an artist in Seattle. He has a website at Waltercolors.com. I am hoping he’ll agree to do all my covers! My husband did all the formatting work. I edited a guidebook for a trusted friend, and she returned the favor and edited Broken In.

Do you read self-published work yourself and could you recommend any independent authors’ work that we may enjoy reading?

Valerie Davies is a British woman now living in New Zealand and writes a gorgeous blog filled with her meditations on life. Valerie’s stories are collected together in Chasing the Dragon: An Addiction to Living.

Where can readers pick up a copy of your books from and what formats are available?

Broken In: A Novel in Stories is available on Amazon all around the world in paperback and eBook forms. My blog provides a link to the books as well.

Where can readers find out more about you, and/or get in touch?

I invite readers to visit me at jadicampbell.wordpress.com. I’m also on Facebook.

Many thanks for talking to us Jadi and best of luck with your future projects!

Thank you so much for featuring me. It was a pleasure to answer your questions.

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