The Trail Back Out is 2021 IAN Book of the Year Award Finalist for Fiction: Short Story Collection

I am honored, awed, and humbled that my short story anthology just received its third distinction. I was notified that The Trail Back Out was selected as a Finalist for the 2021 IAN Book of the Year Award (Short Story Collection) by the Independent Author Network. Go to this link for the finalists and winners:

2021 IAN Book of the Year Awards

The Trail Back Out was also named a 2020 Best Book Award Finalist in Fiction: Anthologies for the American Book Fest. In addition, the title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award.

I’ve been going for long walks on the trails in the woods and orchards here, trying to absorb the news. The Trail Back Out is available for purchase and download.

NOTES: Go to jadicampbell.com for more posts. ©Jadi Campbell 2021. My other books are Grounded, Broken In: A Novel in Stories and Tsunami Cowboys.

Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award.

Broken In: A Novel in Stories was a semifinalist for the international 2020 Hawk Mountain Short Story Collection Award from Hidden River Arts. And Broken In just received a second distinction, which will get its own post!

Click here for my author page to learn more and purchase my books.

Here is what readers can expect: From tales of Eddie, high on LSD and trapped by “What Died in the Fridge”, and a compulsive gambler hiding during a Category Five storm in “Better Weather”, to the luminous title story of two strangers meeting by chance in the backwoods during a pandemic, the stories describe the pain and humor of being alive. Included in this collection are “Rules to Live By”, a funny and deeply thoughtful story about what we choose to teach our children. The author examines our responsibility to others when a hunter is shot and left for dead in “The Green Under the Snow”. In “Do Dreams Float?” a wife considers a hit-man’s offer of revenge. And the eternal search for happiness is carried out by a gloomy little girl nicknamed “Princess Rain Clouds”. In ten stories, Campbell paints vivid descriptions of everyday life in strange times. Whether during the upheaval of the last century or the present COVID-19 crisis, The Trail Back Out guides the reader through a labyrinth of questions about how to live and love.

For My Friends Who Have Lost Loved Ones to COVID: Calling the Soul

Head over to jadicampbell.com for more posts.

Friends across the globe from all the stages of my life have lost parents, spouses, family members and loved ones to COVID. I have been thinking alot about the ways we are all tied to one another in joy, in grief, in loss, in trying to live together and ease one another’s pain. Here is a story about how a very different culture keeps people they care about literally connected to one another, in a ceremony that creates unity and restores harmony to both the individual and the community. For some reason this post has gotten a lot of views recently. I wrote the essay after several trips to Laos. May it offer some comfort and peace. — Jadi

Note the white cotton threads

When we visit the temples in Laos, we often see monks tying special white cotton strings to the wrist of a person’s right hand. Sometimes the monk ties connecting strings to whole groups of people. What are the strings, and what is their significance? The answer, it turns out, varies in the different regions of Laos (as well as the Sipsong Panna autonomous prefecture of the Tai Lü in the extreme south of Yunnan, China, and Northern and Isan Thai cultures). And the meaning depends on time and place….

Full moon Vientiane, Laos

The strings are tied in the Baci ceremony, and their significance depends on the occasion. Take weddings, for instance. According to an old Laotian legend, the cotton threads are tied to ensure a happy marriage. We each have a tree in the heavenly garden, and that tree has branches intertwined with your predestined partner. When our trees come to this earthly existence, the cotton threads binding them are cut and we’re born separated and alone. If you can find your soul mate again after searching for him or her, at your marriage you are rejoined by retying the thread.

In Laos threads are also tied on newborn babies and their mothers [1] or on people going home or departing from home, which explained the many men, women, and children wearing these bracelets we saw at airports. The ceremony is performed for specific life events: success, health (both for the cured and the sick), and annual festivals like the sacred Wax Castle Procession in Vientiane. We witnessed a high number of Baci ceremonies during that time. [2]

The ceremony is done after a death, too, to bring back any wandering  missing spirits and reinforce the harmony of the surviving family members.

The entire ceremony is rich is symbolism. The white color means purity, and the strings are believed to bind the 32 kwan, organs or parts to the soul, to prevent them from wandering away. The Baci ceremony is also known by the term su kwan, “calling of the soul”. [3] When kwan wander away from your body, this creates an imbalance in the soul that may lead to illness and bad luck.

Foundation stones are honored

The ceremonies take place in Buddhist temples, but kwan and the Baci ceremony predate Buddhism. [4] I’ve had strings tied to my right wrist in Buddhist and Hindu temples from Laos to India, but have never taken part in a Baci ceremony. Regardless, the white bracelet should be worn for at least three days. Then the threads can be unknotted or allowed to fall off on their own, but should never be cut.

Dedicated to my friends who have lost loved ones to the pandemic

NOTES: [1] A Baci ceremony for new mothers and their babies is performed to welcome the baby, and to recall any kwan that may have wandered away from the mother during the birth. [2] The Wax Castle Procession falls on an especially auspicious lunar calendar date: the full moon of the seventh lunar month. [3] Concept of Kwan: Kwan are components of the soul but have a more abstract meaning than this. The kwan have been variously described by Westerners as: “vital forces, giving harmony and balance to the body, or part of it”, “the private reality of the body, inherent in the life of men and animals from the moment of their birth,” and simply as “vital breath”. – Pom Outama Khampradith, Bounheng Inversin, and Tiao Nithakhong Somsanith, writing for Lao Heritage Foundation. P.S: Baci in Italian means kisses, and it’s also an awesome chocolate candy that contains a whole hazelnut at the center.

©Jadi Campbell 2018. Previously published as Laos White String Bracelets: The Baci Ceremony. All photos ©Uwe Hartmann. To see more of Uwe’s photos and pics from our trips go to  viewpics.de.

To learn more about kwan and the Baci ceremony: Laos-guide-999, Baci, UNESCO

My books are Broken In: A Novel in Stories, Tsunami Cowboys, Grounded, and The Trail Back Out. Books make great gifts!

Tsunami Cowboys was longlisted for the 2019 ScreenCraft Cinematic Book Award. The Trail Back Out was a 2020 Best Book Award Finalist for Fiction Anthologies for the American Book Fest. The title story The Trail Back Out was longlisted for the 2021 ScreenCraft Cinematic Short Story Award. Broken In: A Novel in Stories was a semifinalist for the 2020 International Hawk Mountain Short Story Collection Award from Hidden River Arts. 

My Next Public Reading

December 25, 2015. It’s time to upgrade: I’m moving. As of today, you’ll find me (and all of my previous posts) at my new address jadicampbell.com.

 

To learn about the Writers in Stuttgart and our public reading on Friday, March 18, visit this link :

NEAT Recommends the Writers in Stuttgart.

PS: For your added amusement, click on the bottom left photo to the right of the link’s screen under Dark Monday in February. That’s me on stage, in our first performance of The Vagina Monologues!

A Christmas Present of a New Domain

Happy Holidays to all of my readers.

It’s time to upgrade: I’m moving. As of today, you’ll find me (and all of my previous posts ) at my new address jadicampbell.com.

I’ve learned a great deal blogging, from developing my voice to discovering the terrific community of bloggers. They are an incredibly talented, diverse and generous group. I’m glad I found them – and I’m always delighted when they find me.

Thank you, all of you, for your clicks and comments over the last few years. In the future please come talk with me at the new site, and post all your thoughts and comments there. It is my great pleasure to write for you.

Meet me at jadicampbell.com !

# 99 # 99 # 99 # 99 # 99 #

PLEASE NOTE: I’ve moved. You’ll find me (and all of my previous posts) at my new address jadicampbell.com.

I always feel a little strange when I recognize it’s time to mark milestones and I have several to announce.

This is my 99th blog post.

I’ve posted in these virtual pages twice a month since I began way back in September of 2012. It all started with my husband’s suggestion that I establish an Internet presence….

My published books are fiction, and this blog serves as a good place to present excerpts. Potential readers of my books might want a sample of my writing and a glimpse of the human being behind the words. It’s also a place for non-fiction essays. I get to explore ideas and topics that don’t need to be transformed for novels. Posting every other week is great writerly discipline. I’ve never missed a bi-monthly posting date!

My topics bounce all over the place like gleeful ping pong balls. I’ve written about current events like The Death of Robin Williams, Helping Refugees: Part 1 and Tunisia Without Terrorism, to the World Cup in The Year the World Came to Party.

I occasionally write about historic events, too. Several are 8:15 A.M.Amsterdam, and Stolpersteine 1: Tsunami Cowboy’s Stumbling Stones.

I riff on artists in Meet the One-Tracks and art, like the sacred sublime in Cathédrale Notre-Dame de Chartres or sacred sexual in The Erotic Architecture of Khajuraho. I profile art made by human hands Wine and Sculpture, Wildly Creative in Upstate NY: The Ferros of Little York, Egypt 1: We had the entire Valley of the Kings to Ourselves or found in Nature: The Music of the Heavenly Spheres, Steamy Rotorua! and It Was a Bitterly Cold -22°.

Art can serve as reminders to bring us together, as in Stolpersteine 1: Tsunami Cowboy’s Stumbling Stones and The United Buddy Bears.

Of course, I write about writers: My Sister & Maurice Sendak and Baum, Bats, and Monkeys. I quote my beloved Shakespeare with Egypt 2: Along the Nile. Even Colleen McCullough gets a mention in The Outback!

And I write about writing itself: The Gift of Gab, Someone Burned My Book.

Food has been a topic: My Mother-In-Law’s Cookies, Despair Is An Exotic Ingredient, Adventures in China’s New Territories 3: The 100-Pound Fish, Deep Fried and Served with Sweet & Sour Sauce, The Fork is Mightier Than the Sword. A Post in Which I Eat Paris, The Salt Pits and A Visit to the Food Bank, Part 1 &  2.

Holidays have been fun, from You Rang? (the worst/best Valentine’s Day in history) to Happy Halloween!

My day job is as massage therapist, and sometimes I write about healing and medicine. Helping Refugees: Part 1,  Massage in Indonesia: Lombok, Adventures in China’s New Territories 4: The Gods of Medicine, A Massage at Wat Pho are a few of the posts.

…. and this all began simply as a way to introduce my two novels Tsunami Cowboys and Broken In: A Novel in Stories. Both are available at amazon.com in book and eBook form.

It’s been a fun journey these last three years! Thanks to all of you for visiting these pages. I wish everyone the happiest of holidays. I’ll be back in the new year with an announcement. Milestone #2 is on the way!!!

# 99 # 99 # 99 # 99 # 99 # 99 # 99 # 99 # 99

The Human Dimension. Helping Refugees: Part 4

The Germans have a wry saying. “We sent for guest workers, but Menschen came instead.” Meaning that after WWII, the work force of foreigners who came to Germany turned out to be fellow human beings.

I find myself thinking about that saying. The flow of refugees heading this way is huge and overwhelming, and in some ways I am afraid. I love the security and safety of life here, how clean it is. I’m proud to live in a land with universal health care and great mass transit, wonderful street cafés, and (most important of all) the guarantee of personal freedoms and a firm commitment to human rights.

What does this have to do with the hordes of refugees flooding the country? I’m not sure. Maybe nothing at all. But I hear from some of my friends, “What if Europe becomes Muslim? What if the streets are filled next with women in full burkas? What if we lose our freedoms as Germans bend over backwards to accommodate the newcomers?

They’re nameless, faceless. They’re the others, the ones who constitute a vague but ever-growing threat.

One of my great bonds with the man I married is our desire to explore the world together. We’ve taken vacations in moderate Muslim lands. Every trip was wonderful, filled with people with dreams and hopes like yours and mine. I have a serious disconnect when I try to reconcile the horror of ISIS with the kindness of the friendly people we met in Egypt… Indonesia… Tunisia… Malaysia… Turkey… Singapore. The answer, of course, is they can’t be reconciled. The two have nothing to do with each other.

I’m terrified of the fanaticism that just killed more than 100 people in  Paris. The refugees are terrified, too. The people fleeing to Europe want the same things we do: a civilized place to work, live, and raise their children. A stream of humanity is arriving. People with dreams and hopes, like yours and mine.

Each time I go to massage the refugee M. [1], I’m confronted with my own fear of the unknown foreign.

We have no languages in common. I’m not only working without any knowledge of her history; we can’t even talk.  One of her children remains in the room the entire time to translate into German for her.

These are the hardest sessions I’ve ever attempted.

As a therapist my hands know their work; I’m capable to treat her PTSD symptoms. But the person-to-person connection…. I have to do this solely through touch. The afternoons of therapy have changed my understanding of the human dimension. It’s become more complicated, and much simpler. It’s changed me as well.

NOTES: [1] To respect the privacy of the persons involved I have changed the names and use initials only.

PTSD. Helping Refugees: Part 3

I go one afternoon a week to where refugees are housed and provide therapy for a woman I will call M. [1]

When I decided to take the plunge and volunteer, I had no idea what that would look like or what I’d be doing. For the last thirty years I’ve worked as a massage therapist. I’ve treated people across the health spectrum: Pregnant. Disabled. Patients during chemo and radiation therapy. Triathletes to couch potatoes. People seeking relaxation, to a man in need of pain relief years after a helicopter crash. My abilities as a therapist deepen with each person I attempt to help.

I’m licensed in both Europe and America. I kept my US credentials current by doing periodic workshops. I did this for decades, until the weekend seminars felt like I was reinventing the wheel.

I briefly considered doing massage with the aged after we put my mother-in-law in a nursing home near us. But my grief as I accompany Mama in the twilight of her life makes it too personal. When I learned a refugee needed massage, it seemed like the perfect way to stretch myself as a therapist and as a human being.

M. and her family fled from an earlier war zone; they’ve been in my village for over a year. M. is severely traumatized. She existed in a catatonic state for many months. Loud or sudden noises trigger panic attacks and migraines and a voice moaning in her head. Her entire body is a field of pain. Most movement is agony.

Within minutes of beginning our initial massage, M. began sobbing. She cries through every single session. It’s ‘just’ nerves.

No one in her family will tell me her story. I have bits and pieces, cobbled together from talking with her doctor and the volunteer organization. She discovered a dead body.  Was it suicide, or murder? Was it a family member? She was raped more than once. Twice, ten times, one hundred? One man or many? Someone known to her? Looters? Soldiers?

Like I say: I have bits and pieces.

I first met the German liaison when she took me to the refugees. She gave me the barest of details, less than five minutes before I met M. I’d be working right away, without any volunteer training or medical protocols in place. For me the single most important question was: Who had requested the massage therapy?

It was M.

NOTES: [1] To respect the privacy of those involved I have changed names and identifying details, and use initials only. Part 4 to follow.

The Town Volunteer Program. Helping Refugees: Part 2

When dangerous months on foot or voyages in unstable boats are your only options, things are bad indeed. Refugees may be met at borders by hostile police or herded in subhuman conditions. Criminal bands now make more money from human trafficking than drugs. Millions are making the exhausting trek, often cheated and robbed.

Chancellor Angela Merkel has declared Germany will take in refugees, particularly those fleeing Syria. This doesn’t begin to meet the challenge of how to integrate all these newcomers. The scramble is on to figure out how to register, and house, and provide for over one million asylum seekers, all arriving at the same time.

My community will receive 300 refugees. Every empty building is being assessed for use as temporary or permanent housing. I live in a 1,200-year-old village – with fewer than 20,000 inhabitants. Strangers definitely stand out.

I began asking myself questions. What does it mean when an outside crisis brushes up against the everyday? Can I help? If yes, am I prepared for what that entails?

I called the Rathaus (Town Hall). “English is my native language and I’m fluent in German,” I said. “I can translate. We’ve got lots of household goods to donate. I’m a massage therapist: I can offer therapy if someone needs it.”

I was informed that my town has taken in earlier refugees from the former Yugoslavia, Pakistan, and other countries. The town runs a training program for volunteers (how to help the newcomers who suffer from shell shock and/or culture shock, what to expect, etc.). Translating services are in place; the town has more donations for supplies than they can use. But, the offer for medical services… They took my contact information to pass along.

The next morning, I received a phone call from A, the German liaison. [1] “Your offer is like hearing from someone from another planet,” she declared. “For months, a severely traumatized refugee has been requesting massage. How soon can we meet?”

I didn’t know it yet, but there would be no time for the training program.

NOTES: [1] To respect the privacy of all persons involved I have changed the names and use initials only. Part 3 to follow.

Helping Refugees: Part 1

I’ve moved! You’ll find me (and all of my previous posts) at my new address jadicampbell.com.

After more than a decade, it was back. An insidious, slowly increasing unease, a worried feeling that the world was spinning out of control. For months I’d watched news reports about refugees drowning off the coast in places like Libya or Lampadusa, Italy.

The reports came with more frequency, their tone more urgent. One night I saw the tragic footage of a small child, lifeless where he’d washed up on a beach in Turkey.

That Turkish beach is in Bodrum, and I once set foot there. Two years after I got married we spent a vacation in Turkey. Uwe and I began with the magic of Istanbul. We visited ancient Greek and Roman ruins, took off our shoes at the Blue Mosque, and travelled down the coast as tourists on a local bus line. At rest stops the driver came around with rose water for passengers to wash their hands and faces.

We bought rugs in Bodrum and had them shipped home. I joked about magic carpet rides. We put a wool rug I’d chosen in the center of our living room. Its wavy stripes had reminded me of the ribbon candy my grandparents always gave us when we visited.IMG_7568

Now, when I looked from the television to the floor, I saw waves in a treacherous ocean. I saw the long voyage of those desperately trying to save themselves and their families from wars.

Images of bombs and flight began to haunt my dreams. I had trouble sleeping and for a while I stopped watching the news. It was too close. The borders between frivolous holidays and grim realities had blurred. Actually, they’ve never really existed to begin with.

I was slipping into a spiral of feeling overwhelmed, and helpless, and very sad.

A German friend came for her monthly massage. “I’ve begun volunteering with refugees here,” she said. We talked through much of the session and I asked question after question, curious to know how she came to the decision to help refugees. I began to rethink how to respond to my encroaching depression and what I could do.

I talked it over with Uwe. A few weeks later, I called the Rathaus (Town Hall) to offer my services.

NOTES: Part 2 to follow. Photo Copyright © 2015 Jadi Campbell. Uwe’s images from other trips and his photography may be viewed at viewpics.de.

For an excellent blog about volunteers and people trying to get through the Chunnel from northern France to England, go to: http://amjamwe.blogspot.pt/

Wildly Creative in Upstate NY: The Ferros of Little York

I’ve moved! You’ll find me (and all of my previous posts) at my new address jadicampbell.com.

My father lives on a very cool street. He’s got a little place on a small  lake.  When I visit, I spend hours watching critters on and in the water.

And then I take a stroll down the road, because Dad has artist neighbors. The Ferros’ artwork decorates the street.

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The Ferro home is chock full of art, almost all of it made by Tino and Carole. When Carole kindly gave me and Dad’s partner Judy a tour of the house, I couldn’t stop taking photographs.  Every single inch of space contained something interesting and wildly creative. IMG_7353

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Carole and Tino. Check out the cicada! The glass lamp! That railing!

The 1920’s home originally belonged to Tino’s parents.IMG_7373

They added on, sourcing materials from old buildings in the area that were being torn down. These ceiling beams came from a church.

They run a gallery, just a few miles away.

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Frog Pond Farm Folk Art Gallery North

Sculptures adorn the outside lawns; here is only a sample.

 

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Two of the couple’s offspring joined them to create the gallery. Ninety percent of the materials they use are recycled or pre-used. The Ferro family also produces smaller pieces, glass work, and paintings. Click on the thumbnail photos for a closer look.

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I loved the female figures made of recycled metal strips from factory punches and stamps.

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She crouches over an outdoor fire pit

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Tino and Carole worked and raised their family in Portugal from 1988-2008. Tino tells me Europeans still collect their art work.   

The Ferros run a second gallery in North Carolina. I can only imagine what’s in that one. But I’m sure those neighbors love having Tino and Carole down the street!

NOTES: [1] For a similar post on sculpture, go to my earlier post Wine and Sculpture. [2] Contact info:

Frog Pond Studio (South)

Metal Scuptures, Furniture

58  Prairie Lane, St. Pauls, NC 28384

tel: 910 865 4998

cell 910 740 3749

email: cferro2598@aol.com

www.frogpondart.com

Frog Pond Farm Folk Art Gallery (North)

5969 Rt. 281

Little York, NY 13087

tel: 607 749 6056

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Photos Copyright © 2015 Jadi Campbell. All photographs can be enlarged by simply clicking on the images. Uwe’s photos of upstate New York and his photography may be viewed at viewpics.de.

December 25, 2015. It’s time to upgrade: I’m moving. As of today, you’ll find me (and all of my previous posts) at my new address jadicampbell.com.